#issue 323 | Explore Tumblr posts and blogs

wolvertooth · 9 days ago

Text

wolverine pisces♓ sun + libra♎ rising

sabretooth aries♈ sun + virgo♍ rising

presenting -> an essay by somebody who doesnt really know shit about zodiac signs(other than my own), but tried researching em anyway. tbf, a lotta articles got conflicting views on how shit works too, so i just made my own sense for some of it(example being, some sites say the descendant should be the others sun, while some say it should be their rising. im going with the sun one, since that works best for the symbolism thing here, and it made most sense for their characters). most of this is just a bunch of notes.

for some context, ones sun sign is their core self. their rising is their outer character, kinda like a mask, what other people see first before getting to know them.

as i mentioned in another post, i hc their bdays as 2/21(logan) and 3/23(vic), logans coming from a lot of his bday fights being in winter and the numbers having significance(that i’ll explain later), vics coming from the random numbers on his mondo xmen the animated series figure box(no other figures boxes had numbers on them, just his)

gonna talk about sun signs first—

wolverine, the old soul dreamy romantic who spends all his time in his head, lost in himself.

sabretooth, the action taker, who gets shit done, actually is the best at what he does, climbing to the top. and, when given the chance(as shown in weapon x 2017 and exiles), a kickass leader.

2 sides of the same circle.

as an aries, vic lives in reality(if anything, hes forced to). while as a pisces, logan tries to escape it, focusing on his own reality rather than the one around him.

its a pisces instinct to escape and run away, to never be tied down to anything. aries can help ground a pisces when that urge kicks in. still, itd be an important part in their relationship for both vic learning to give logan his space, and logan learning to let vic there for him.

gonne go off the rails for a sec, but the dates of their bdays apply to their dynamic too.

2/21, 2 3(2+1). 23 is a reoccurring number in logans life, almost being like his symbol.

(Wolverine 1988, issue #66, being shown the number 23 by a guiding spirit) + (Wolverine 1988, issue #167, wearing the 23 bulls shirt) + (Wolverine 1988, issue #176, after being dead and talking to another guiding spirit for 23 minutes) + (Hulk vs Wolverine, X-23)

23 being a part of vics bday can be taken as vic being another key component in logans life, as well as parts of logan basically being a part of vics self. 323 is kinda like being the reverse of 23, while also including it, playing into the theme of them blurring into eachother.

23 being on its own for logan is reflective of his loner isolating tendecies(despite holding a lotta love, pisces can tend to drift off from others). logan can and does socialize, but he isolates his heart from getting too attached.

pisces, being the last sign, holds a bit of all the signs inside them. this can influence logans struggles with losing sight of who he is an individual, wanting to go against everything he seems to be in order to stay who he thinks he is. a constant search for self discovery thats disfigured by many layers of other influences, and pisces natural duality for everything(wanting to play both sides, contradicting himself, when really he doesnt know where he fits). what little logan does know about himself, he doesnt trust to know how to get others to understand. meanwhile, vic follows the mold of what others expect of him, and doesnt get a chance to really exist as himself, making up for that by being the best version of the negative traits forced upon him that he cant escape.

(Sabretooth: The Adversary)

logan tries to be what he thinks others want, while vic tries to be what others say. logan thinks hes escaping from his expectations, but really hes trapping himself in a cage of other peoples needs. vic thinks hes being better than other people in his situation by not escaping, taking choice in it, when really hes still keeping himself in a similar cage.

pisces escape themselves, aries push to be themselves. but in their own ways, theyre also doing the same as eachother.

even tho pisces can be loners, their relatablility to other signs draws a crowd to them. everyone knows wolverine(insert that classic post of ‘wolverine is there’, yall know the one). sabretooth can be good with people when he needs to be, but he doesnt have many friends…being the first of the signs, aries are kinda on their own.

unless, ofc, one was on a cusp.

vics 23 in his birthdate doesnt just tie him to logan, being on the cusp of pisces is important too.

it allows vic to truly know who logan is, underneath it all. his true self. since a part of him works the same way, inside.

talking a bit about the risings now—

libra rising doesnt seem to fit logan at first glance, as his quick anger tends to mess up a lot of his encounters with others, but i see him as someone who likes solving others problems. hes the guy others go to for help, despite his reputation. he fights for justice, or what he percieves as such, since his pisces nature kinda detatches him from reality. he can seem like a threatening guy at times, but people tend to somehow feel comfortable around him, even strangers. he claims he doesnt talk much, but hes the kinda guy to indulge in conversation if someone started it with him, and his libra rising energy draws people to do so.

and i could honestly write a whole thing about how the duality of pisces fucks with his life, like the duality of wanting to do good but continuing to fall back into doing what he wants, while also constantly seeking to know if either of those things are truly what he wants. he knows but doesnt know, acts but doesnt act, hides but shows himself loudly, playing the Bad Boy while hes secretly nice and caring. hes a mix of everything and nothing, wanting to be like the people around him, but also wanting to know who he is as an individual.

some sources for virgo rising were like 'they prefer fashionable clean wardrobe, and strive to rise to the top of their work, falling into perfectionism in both their presentation and reputation' like...as a rising, thats def his mask, to make up for who he is.

vics way of proving his worth to others is very much based on how helpful he is to them, doing things for them rather than himself(the chance of them being satisfied being enough to fuel his motivation). his whole career is based around doing shit for others in order to make a name for himself, his mask, what he thinks hes good at. but, he also primarily does acts of service for those he cares about, things he wants to do for them rather than being expected to do so, being unaware that hes good at THAT as well.

logans mask is what vic secretly excels at, and vics mask is what logan thinks he isnt good enough at.

while logan spends a lot of time striving to be the best in what he does, vic strives to be the best in who he is. which, according to their risings, they’d have more luck if they switched those goals.

(X-Men Forever 2009, issue #6) + (Wolverine 1988, issue #123)

i know a lot of this probably comes across as being a challanging relationship, but i think thats the kinda thing they both want. they both crave a good challange, something to fight for. and for once, they wouldnt just be fighting for themselves, theyd be fighting for someone else. for the same cause.

vic holds the answer to all logans questions about himself and the ability to know exactly how to take care of him, and logan holds the love and equality that vic craves. but vic wont be able to do so unless he realizes he can take care of others, and logan wont be able to do so unless he realizes how to care for himself, which includes also allowing others to take of him(and learning to hate himself less, which is blinding him from being able to accept vic)(typical twinflame shadow stuff)

vics signs make him a natural helper, and logan tends to be stubborn in letting others do that for him. a lotta their relationship is based around stubborness on both ends, in ways where they secretly want something but refuse to let themselves accept it. both signs like control, in their own ways. pisces like control in a more mental way, and aries like control in action. and thats just something they would have to work together on to get proper communication for.

aries could take pisces by the hand as they continue on, if pisces let him. and in turn, pisces could show aries the truest form of love and connection that aries lacks.

#sabrevine #wolvertooth #sabretooth #victor creed #wolverine #logan howlett #IM DONE. NO MORE REVISING. IF IT DOESNT MAKE SENSE IT DOESNT MAKE SENSE.#it makes sense to meeeeee ok #if u see a spelling error..no u dont

21 notes · View notes

wixhing0nastar · 2 years ago

Text

Abuse Narratives in RWBY: Yang Xiao Long Edition (Feat. Ruby Rose)

We've all witnessed and talked about Blake and Weiss being abuse survivors for years. Blake escaping from Adam and Weiss escaping from her father were both huge, impactful events that have shaped the narrative of the story in many ways.

Yang on the other hand has managed to fly mostly under the radar with the abuse she's suffered up to this point. Her jokey, happy-go-lucky facade tricking the audience just as well as it has her friends and family for years.

(Note: this is going to be a long post, so strap in. Also this is your warning I am not going to be holding back in my criticism of Tai, so if you don't want to see me go into detail about how exactly he abused Yang, I highly suggest turning back now).

TL:DR: Yang was neglected and parentified (aka: abused) as a child and that’s the root of a lot of the issues that she’s currently struggling with in Volume 9 and a large part of her healing is going to be centered around her relationship with Blake going forward.

Let's start by establishing what exactly I'm referring to when I say that Yang has been abused. Because while I'm certainly referring to her being neglected after Summer's death, I'm more so referring to the years of Parentification that was caused by said neglect (in addition to the verbal and emotional abuse hurled her way).

Let's start by defining what exactly Parentification is since it's where most of Yang's current problems stem from.

[Parentification is] a disturbance in the generational boundaries, such that evidence indicates a functional and/or emotional role reversal in which the child sacrifices his or her own needs for attention, comfort, and guidance in order to accommodate and care for the logistical and emotional needs of a parent and/or sibling. (Hooper, 2007b, p. 323)

Ruby establishes in Volume 9, Chapter 1 that Yang was the one who raised her. It's important to note that in the context of her saying that, she's telling Yang that Yang was the one responsible for her moral development as a kid.

Research has shown that the building blocks for morality are generally in place by the age of 4. However, "children need adults to help them at every stage of childhood to nurture these seeds into full development." (Harvard, Raising Caring, Respectful, Ethical Children, p. 1) With "childhood" commonly considered infancy to age 12.

Using this we can reasonably assume that Yang was Ruby's primary caretaker or at the very least co-parenting with Tai from the time of Summer's death to at least age 14 (when Ruby was 12)... which mind you, is already over a decade total and only three years before the show starts.

Now that we've got some of the science out of the way, let's start looking at the show itself to see just how bad the situation was.

Burning the Candle

This iconic scene actually paints a fairly horrifying picture of Yang and Ruby's early childhood when you start to break it down.

I waited for dad to leave the house.

Meaning that by that point, probably only a few months after Summer's death based on the timeline Yang establishes, Yang already knows Tai will reliably leave her and Ruby alone without supervision for extended periods of time in order to pull this off.

I must have walked for hours.

Meaning that it likely took several hours for someone to even notice they were missing in the first place. The fact Qrow knew exactly where they were indicates that Yang either left a note or clue about where they were headed and I'm willing to bet the only reason it took Yang that long to walk was because she was like two feet tall at the time (since Patch is like... a tiny island... which brings me to the next line...

A toddler asleep in the back of a wagon

Again, to clarify, Ruby was a toddler. Toddlers are between 1-3 years old... meaning this all happened when Yang was a maximum of (and likely, based on their physical appearances) 5 years old.

So to summarize, Tai was regularly leaving Yang, his five-year-old, home alone and in charge of her three-year-old sister... which would be horrifying to think about on its own but this is Remnant.

Which means that Tai was regularly leaving his grieving five-year-old at home alone when they didn't live inside a kingdom's border and there were known wild Grimm in the area... who are attracted to negative emotions.

Wow... I wonder why Yang felt the need to try to diffuse the tension with humor and keep everyone in high spirits all the time. It’s almost like it was a life or death situation growing up. (/s)

Anger, Fear, and Burn

Before jumping into the next big narrative piece, let’s talk a little bit about Yang’s semblance, Burn, and how it works. Because it’s important to establish before starting to dig into Volume 4.

Let’s start with how Ruby describes it:

Don't worry! With each hit she gets stronger, and she uses that energy to fight back! That's what makes her special.

Notice how Ruby doesn't mention anything about Yang needing to be angry to use her Semblance? In fact, while it’s unclear if this is entirely true, it has been stated previously that Yang’s powers come in part from her hair and no one has refuted that claim in like 8 years so it holds some weight.

Moreover, recent volumes have actually been hinting that Yang likely doesn't even need to use her anger to activate/maintain burn. And that she just does so out of habit more than anything.

Now, why exactly would someone intentionally limit themselves by tying their semblance into in emotion like that? Well, first let’s answer the question, why anger?

And well... anger is a secondary emotion.

A secondary emotion is an emotion fueled by other emotions... masking your feelings of sadness, hurt or grief with anger can be easier than experiencing the primary emotion.

And moreover,

The feelings that anger commonly masks include fear, anxiety, guilt, shame, embarrassment, betrayal, jealousy, sadness, hurt, and worry. (Alta Loma, Understanding Anger as a Secondary Emotion, Web, emphasis added).

Fear is, of course, a bit of a running theme in RWBY, there was a whole speech and song about it at the end of Volume 7, after all.

But more than that, there've been two people on two separate occasions who've called Yang out for being scared when she's posturing: Ren and Raven.

And while Ren was pointing out that she uses humor to try to deflect when she’s scared, when Raven said this to Yang she was absolutely outwardly angry... and Yang admits to being scared in the moment yet still standing there.

Also note that humor = friends/winning, anger = enemies/losing.

Which makes you wonder, what was happening growing up that made Yang instinctively react to fear of danger with anger and planting her feet instead of running away? For that let's go back to what we learned from Burning the Candle and the V5 short real quick.

We know there are living Grimm on Patch. Maybe not as many as elsewhere, but both times we are given glimpses into Yang and Ruby's childhood on Patch they are attacked by Grimm, which isn't a great sign.

How old do you think Yang was the first time she or Ruby had a bad day and attracted one of them on accident and she had to fight it off on her own (because she couldn't run, she had to protect Ruby)?

How many nights do you think Yang would spend reading Ruby stories and telling her dumb jokes to get her to laugh to try to make sure they weren't attacked? How often did Ruby have to force herself to be okay? For both their sake?

Volume 4

Now let's talk about Volume 4, aka: when Tai had the chance to step up and didn't.

Now right off the bat he's okay. There's nothing inherently wrong with him bringing her the arm and being excited at the thought because he doesn't know how she's going to react to it though it is a little weird he opened her mail without permission.

The rest of Yang's first V4 episode, however, makes it very clear both to us as the audience and Tai that Yang isn't doing okay... but Tai doesn't do anything to attempt to help her.

Which is why what happens in the next episode is kinda messed up.

Yang wakes up from a nightmare about losing her arm in a seriously traumatizing event and goes downstairs when she realizes there's a distraction people are over.

Then we get the fight and despite Yang laughing it off in the end... honestly Tai is being very condescending towards her, which Yang even points out. Like, someone made a slightly adult joke in front of her and he flies off the handle and starts a fight with her and starts making digs about her not being a real adult ready for the real world and let's just break that down before dealing with the actual problems in this episode.

Yang, as established, has been fulfilling the role of parent (while barely getting any parenting herself) for years. She's been fulfilling the role of an adult since she was 5! And at this point in the show she's also legally an adult. So not only is it condescending, it's also untrue.

Then we get this line.

I guess you lost some brain cells along with that arm.

Not only is this beyond callus, Yang is clearly actually upset by this.

And notably, she only treats it as a joke after Oobleck dropped his cup. AKA: after being reminded that they aren’t alone in the room.

(And remember, Yang uses humor as a coping mechanism).

And both Oobleck and Port can clearly tell that this wasn’t appropriate at all and immediately following that, they pointedly step in to ask Yang how she is doing with everything.

Which Tai has not done.

And Yang opens up to them! And she tells them that she’s still struggling and coming to terms with what happened to her. Which in turn causes Tai to finally talk to her about it, but he’s being pushy about her getting back out and “being her new normal” and even refers to her PTSD as moping when she just got done saying she’s still trying to process and recover.

And it’s again Port specifically who steps in and gives her some genuine advice without trying to push her her into anything she’s not ready for and then Oobleck joins in and they go out if their way to ham it up to make her laugh.

So overall, Tai’s being extremely dismissive of the trauma that she’s gone through and minimizing her feelings at every turn.

Which then leads to this scene...

Which is when Tai’s dismissiveness starts to make sense (and I’ll come back to this when I’m analyzing the last episode).

Let’s break it down. To start, Tai knows that Yang is going up to her room, they pointedly have her call out goodnight from upstairs so Tai knows where she is physically and what her intentions are.

Secondly, there’s no way that Tai doesn't know you can hear people talking from the front door from Yang’s room. He’s owned this house for like two decades minimum at this point.

So when Oobleck and Port ask after Ruby, there’s no way he should assume Yang won’t be able to hear everything he says. And he very much lays the burden of Ruby’s safety at Yang’s feet. He’s not going after her because he has to “look after some things.”

AKA: Yang.

And then she comes to him literally the next day wearing the new arm and wanting to train and he doesn't question her at all, even though 12 hours earlier Yang was very much not ready?

We then don’t see her at all for five episodes until we get the scene where she’s training with Tai and honestly, his advice is kinda horrible.

To start, even he says his advice is based on watching her Vytal Festival fights, meaning that everything is based on watching three matches.

He points out she uses her semblance to win every fight after the qualifiers (which is true), and Yang rightly points out that everyone uses their semblances to help them win. Then Tai says this:

Because not everyone else’s is basically a temper tantrum.

Not only is this very unlikely to be true, but even if Yang does need to rely on her anger to activate her semblance, calling it a temper tantrum isn’t accurate at all.

In fact, the way Yang uses her semblance takes a great deal of emotional regulation to pull off. She not only is able to make herself angry enough to use it at will, she’s also able to stop using it at will. Meaning Yang is capable of instantaneously switching from one emotion to another.

That’s not a temper tantrum, that’s someone with superb emotional control choosing what emotion to feel when it’s most appropriate.

Furthermore, the “what happens if you miss” comment is so ridiculous I don’t even know how to start other than saying we literally saw exactly what happens when Yang misses her first attempt in Volume 2! When her semblance is being revealed! And the answer is... she gets another shot.

And if they’re stronger... like not using the thing that makes her ridiculously powerful is certainly not going to help.

And honestly... Yang doesn’t do what Tai says. He says it’s useful in a bind but Yang doesn’t use her semblance only in emergencies from here on end. In fact, what she actually does is pick up some tricks from Pyrrha and she starts hiding her semblance from people!

And noticeably, Tai isn’t the one who tells Yang to fight smarter. That’s a line of thinking she develops on her own between the first and second times she faced Adam.

And then Tai takes credit for her “suddenly” getting better like she hadn’t successfully hit him so hard he needed to take a pause and the fight he did win was only because he attacked her when she was being vulnerable with him... her father who she’s of course not going to assume is going to attack her while she’s opening up to him... because she wouldn’t do that to Ruby.

And then we get to Yang’s last (real) episode of the volume when she’s setting out to get Ruby. Remember when I said Tai’s dismissiveness started to make sense and we’d come back to it? Well we’re back to it.

Note how Yang pointedly doesn’t tell Tai that she’s leaving, despite him having indicated to Port and Oobleck that the only reason he wasn’t also going after Ruby was because he was staying with Yang?

And how in the end he doesn’t leave with Yang to go find Ruby even though supposedly the only reason he hadn’t was because he wanted to make sure Yang was okay? And now Yang’s going after Ruby? Alone?

Paired with how pushy and condescending he was acting towards her in the other two Volume 4 episodes he was in, on top of having neglected and parentified her for at least a decade, this really reads as him wanting Yang to get better so he can shove her out the door to go after Ruby, and not him caring at all about her as a person.

(Which is why I really struggle to feel bad for him in his V8 scene... if he was so worried he could have been there).

Yang’s Actual Temper Tantrums

Let’s address these really quick before moving on to the final section. We’ve actually seen/heard of four different instances where Yang actually was having something resembling a temper tantrum while using her semblance.

I’m going to start with the Neon fight because it’s the easiest. But Neon as a character relies on knocking her opponents off balance by getting under their skin in a fight. She tries to make them angry and yes, it does work on Yang in this instance. But that’s Neon’s whole thing, in any other match up Yang would have been fine.

The other three times all had to do with her hair (namely, when Junior gets her hair in her trailer, when the ursa gets her hair in the Emerald Forest and... in V4 when Tai refers to her having a rough first haircut).

Going back to the bit about how Yang’s powers, in part, come from her hair and this actually makes a lot of sense in the context of Yang’s childhood. If she was regularly in charge of protecting Ruby and some of the finite power she did have as a kid was because of her hair, of course she gets freaked out by losing some... and we’ve already talked about Yang using anger as a mask for fear.

Bumbleby and Volume 9

So let’s talk about where we’re going now, because of all three of the abuse survivors in this show, Yang is the only one who hasn’t really been confronted with and forced to deal with it yet.

Because at the end of the day, being parentified and neglected for years has left Yang scared to open up emotionally and more than that, uncertain of her identity outside of being Ruby’s parent.

Because up to going to Beacon, that was basically Yang’s entire life. It’s entirely possible the only reason she went to Signal was to learn how to protect Ruby better all things considered.

Which is why the development between her and Blake is so important this volume. Yang desperately needs to be valued as something other a caretaker and protector and so far they’ve been emphasizing the fact that Blake loves Yang because she’s a goofy dork who makes her smile, not because she’s strong enough to level a mountain.

And while Blake’s relationship with Adam was abusive, unlike Yang, Blake does have a framework for health relationships thanks to Ghira and Kali and she’s worked through her own trauma from being abused romantically enough that she’s in a place emotionally to help Yang start working though hers. Starting by giving Yang a person she can trust not to leave who also isn’t and has never been dependent on her to muck up Yang’s healing process.

Because there’s a difference between someone choosing to stay and someone not having any other choice because they were/are dependent on you. And (absolutely no shade to Ruby here) she’s already had someone in the latter position choose to leave her anyways.

In Conclusion

Yang was abused as a child and into her late teens and is in desperate need of some type of unconditional love and affection that she doesn’t feel there are strings attached to in order to finally begin healing...

And therapy, but they’re a little low on that for the foreseeable future.

#RWBY #RWBY Spoilers #RWBY Analysis #Yang Xiao Long #Bumbleby #When I say long I’m not joking #This is more than 3k words

567 notes · View notes

whiterosechrista · 6 months ago

Text

Famous/Important Women?

I'm trying to make a list of notable women in history (mostly for fun, partially to use against misogynists who think men did everything), and kinda not wanting to just look up a list online.

So; I'd like anyone who sees this post to add to the list. Even if all you can remember is a name and basic details, that's enough (I myself am mostly operating off memory, and then looking up details to fill in the blanks). If possible though, a date of birth/death and what they're most known for would be great, since those are the details I'm focusing on right now.

I'll add all new people/details to a list here on Tumblr so we're all on the same page info-wise.

Edit; pinning this post both so I don't have to scroll millions of miles and so it's easier for people to find (I should probably be pinning my intro post instead but whatever).

List so far:

Enheduanna (𒂗𒃶𒌌𒀭𒈾), Birthdate unknown (c. 23rd century BCE), death date unknown (c. 23rd century BCE). High Priestess of Nanna/Sin (Sumerian Moon God), Daughter of Sargon (Founder of the Akkadian Empire), Earliest Known Named Author in History.

Nitocris (Greek: Νίτωκρις). Birthdate Unknown (c. 22nd century BCE), death date unknown (c. 22nd century BCE). Possible Queen of Egypt; If So, Would Have Been the Last Queen of the Sixth Dynasty of the Old Kingdom (c.2686 – 2181 BC).

Sobekneferu (Neferusobek). Birthdate unknown (mid 18th century BC), death date unknown (mid 18th century BC). Queen of Egypt, the Last Ruler of the Twelfth Dynasty of the Middle Kingdom, Reign Lasted 3 Years, 10 Months, and 24 days, Ending in c. 1802 BC.

Hatshepsut. Born ~1507 BC, died 1458 BC. Queen of Egypt (c. 1479 – 1458 BC), Fifth Pharaoh of the 18th Dynasty of Egypt, Prolific Builder, Reigned in Peace and Prosperity.

Sappho (Modern Greek: Σαπφώ (Sapphṓ), Aeolic Greek: Ψάπφω (Psápphō)). Born c. 630 BC, died c. 570 BC. Ancient Greek Poetess, Famous for Love Poems, Symbol of Lesbian Love, Known as “The Tenth Muse”.

Timarete (Thamyris, Tamaris, Thamar (Greek: Τιμαρέτη)). Birthdate unknown (c. 5th century BC), death date unknown (c. 5th century BC). Ancient Greek Painter; According to Pliny the Elder, She "Scorned the Duties of Women and Practiced Her Father's Art." At the Time of Archelaus I of Macedon She Was Best Known for a Panel Painting of the Goddess Diana That Was Kept at the City of Ephesus.

Helena of Egypt. Birthdate unknown (4th century BC), death date unknown (c. 4th century BC). Painter, Learned From Her Father, Worked in the Period After the Death of Alexander the Great in 323 BC, Painted a Scene of Alexander Defeating the Persian Ruler, Darius III, at the Battle of Issus.

Kalypso. Birthdate unknown (c. 3rd century BC), death date unknown. Supposed Ancient Greek Painter (existence disputed).

Aristaineta. Birthdate unknown (3rd century BCE), death date unknown (3rd century BCE). Aetolian Woman, Dedicated a Large Monument at the Sanctuary of Apollo at Delphi Which Included Her Mother, Father, Son, and Herself, Which Was a Symbol of Social Status Usually Reserved For the Male Head of the Family.

The Vestal Three (Aemilia, Licinia and Marcia). Born in the 2nd century BC, died December, 114 BC (Aemilia), and 113 BC (Licinia and Marcia). Roman Vestal Virgins (Priestesses), Prosecuted For Having Broken the Vow of Chastity in Two Famous Trials Between 115 and 113 BC.

Iaia of Cyzicus (Ιαία της Κυζίκου). Born c. 2nd century BC, died c. 1st century BC. Famous Greek Painter and Ivory Carver, Most of Her Paintings are Said to Have Been of Women. According to Pliny the Elder; "No One Had a Quicker Hand Than She in Painting." Remained Unmarried All Her Life.

Cleopatra (Cleopatra VII Thea Philopator). Born ~69 BC, died August 10, 30 BC. Queen of Egypt (51 – 30 BC), Last Active Ruler of the Ptolemaic Kingdom of Egypt, Only Known Ptolemaic Ruler to Learn the Egyptian Language.

Soseono (소서노) (Yeon Soseono (연소서노)). Born 66/7 BCE, died 6 BCE. Queen Consort of Goguryeo, One of the Three Kingdoms of Korea (37 – 18 BC), Queen dowager of Baekje (Another of the Three Kingdoms) (18 – 6 BC), Founder of Baekje (18 BC).

Heo Hwang-ok (허황옥) (Empress Boju (보주태후)). Born 32 AD, died 189 AD. Legendary Queen of Geumgwan Gaya, Mentioned in Samguk yusa (a 13th-Century Korean Chronicle), Believed to Originally be From India.

Septimia Zenobia (𐡡𐡶𐡦𐡡𐡩, Bat-Zabbai). Born ~240, died ~274. Queen of Palmyra (267 – 272), Queen of Egypt (270 – 272), Empress of Palmyra (272).

Hypatia. Born c. 350–370 AD, died March, 415 AD. Neoplatonist Philosopher, Astronomer, and Mathematician, Prominent Thinker in Alexandria, Taught Philosophy and Astronomy, Beloved by Pagans and Christians Alike.

Seondeok of Silla (선덕여왕) (Kim Deokman (덕만)). Born c. 580 or 610, died 20 February, 647. Queen of Silla, One of the Three Kingdoms of Korea (632 – 647), Silla's Twenty-Seventh Ruler and First Reigning Queen, Known as a Wise and Kind Monarch.

Jindeok of Silla (진덕여왕) (Kim Seungman (김승만)). Birthdate unknown, died 654. Queen of Silla, One of the Three Kingdoms of Korea (647 – 654), Silla’s Twenty-Eighth Ruler and Second Reigning Queen, Greatly Improved Relations With China.

Jinseong of Silla (진성여왕) (Kim Man (김만)). Born c. 865, died 897. Queen of Silla, One of the Three Kingdoms of Korea (887-897), Silla’s Fifty-First Ruler, Third and Last Reigning Queen, Said to be Smart by Nature, But Whose Reign Saw the Weakening of Unified Silla.

Ende (En). Born c. 10th Century AD, died c. 10th Century AD. First Spanish Female Manuscript Illuminator to Have Her Work Documented Through Inscription.

Diemoth (Latinized: Diemudus, Diemut, Diemud, Diemuth, Diemod or Diemudis). Born c. 1060, died c. 30 March, 1130. Recluse at Wessobrunn Abbey in Upper Bavaria, Germany, Worked on 45 Manuscripts From 1075 to 1130.

Lǐ Qīngzhào (李清照) (a.k.a. Yian Jushi (易安居士)). Born 1084, died c.1155. Chinese Poet and Essayist, Defiant Visionary, Known as “The Most Talented Woman In History.”

Gunnborga (a.k.a Gunnborga den Goda (literary: 'Gunnborga the Good')). Born c. 11th century, died c. 11th century. Viking Age Swedish Runemaster, Responsible for the Hälsingland Rune Inscription 21, Known as the Only Confirmed Female Runemaster.

Hildegard of Bingen (German: Hildegard von Bingen, Latin: Hildegardis Bingensis, a.k.a Saint Hildegard/the “Sibyl of the Rhine”). Born c. 1098, died 17 September, 1179. German Benedictine Abbess and Polymath, Active as a Writer, Composer, Philosopher, Mystic, Visionary, and Medical Writer/Practitioner During the High Middle Ages.

Matilda of England (Empress Matilda, Empress Maude, the “Lady of the English”). Born c. 7 February, 1102, died 10 September, 1167. Holy Roman Empress (1114 – 1125), Disputed Queen of England (1141 – 1148).

Guda. Born 12th Century AD, died 12th Century AD. German Nun and Illuminator, One of the First Women to Create a Self-Portrait in a Manuscript.

Herrad of Landsberg (Latin: Herrada Landsbergensis). Born c. 1130, died July 25, 1195. Alsatian Nun and Abbess of Hohenburg Abbey in the Vosges Mountains, Known as the Author of the Pictorial Encyclopedia Hortus Deliciarum (The Garden of Delights) (completed in 1185).

Claricia (Clarica). Born c. 12th Century AD, died c. 13th Century AD. German Laywoman and Illuminator, Noted for Including a Self-Portrait in a South German Psalter of c. 1200.

Jefimija (Јефимија) (Jelena Mrnjavčević (Serbian Cyrillic: Јелена Мрњавчевић)). Born 1349, died 1405. Considered the First Female Serbian Poet. Her Lament for a Dead Son and Encomium of Prince Lazar are Famous in the Canon of Medieval Serbian Literature. Also a Skilled Needlewoman and Engraver.

Christine de Pizan (Cristina da Pizzano). Born September, 1364, died c. 1430. Italian-Born French Poet and Court Writer for King Charles VI of France and Several French Dukes. Considered to be One of the Earliest Feminist Writers; Her Work Includes Novels, Poetry, and Biography, and also Literary, Historical, Philosophical, Political, and Religious Reviews and Analyses.

Joan of Arc (Jeanne d’Arc, Jehanne Darc). Born ~1412, died 30 May, 1431. French Knight, Martyr, and Saint, Burned at the Stake.

Catherine of Bologna (Caterina de' Vigri). Born 8 September, 1413, died 9 March, 1463. Italian Poor Clare, Writer, Teacher, Mystic, Artist, and Saint; The Patron Saint of Artists and Against Temptations.

Elena de Laudo. Born c. 15th Century AD, died c. 15th Century AD. Venetian Glass Artist, Belonged to a Glass Painter Family of Murano, is Noted to Have Painted Blanks Delivered to Her From the Workshop of Salvatore Barovier in 1443–1445.

Maria Ormani (Maria di Ormanno degli Albizzi). Born 1428, died c. 1470. Italian Augustinian Hermit Nun-Scribe and Manuscript Illustrator, Most Notable Work is an Apparent Self-Portrait in a Breviary That She Signed and Dated 1453; the Earliest Dated Self-Portrait by a Woman Artist in Italian Renaissance Art.

Sister Barbara Ragnoni (Suor Barbara Ragnoni). Born 1448, died 1533. Italian Nun and Artist for Whom Only One Work Remains Extant; Her Signed Painting, The Adoration of the Shepherds (c. 1500).

Antonia Uccello. Born 1456, died 1491. Carmelite Nun, Noted as a "Pittoressa" (Painter) on Her Death Certificate; Her Style and Skill Remain a Mystery as None of Her Work is Extant.

Marietta Barovier. Born 15th Century AD, died c. 15th/16th Century AD. Venetian Glass Artist, the Artist Behind a Particular Glass Design from Venetian Murano; the Glass Bead Called Rosette or Chevron Bead, in 1480. In 1487 She Was Noted to Have Been Given the Privilege to Construct a Special Kiln (Sua Fornace Parrula) for Making "Her Beautiful, Unusual and Not Blown Works".

Catherine of Aragon (Katherine, Catharina, Catalina). Born 16 December, 1485, died 7 January, 1536. First Wife of King Henry VIII, Queen Consort of England (1509 – 1533).

Properzia de' Rossi. Born c. 1490, died 1530. Ground-Breaking Female Italian Renaissance Sculptor, One of Only Four Women to Receive a Biography in Giorgio Vasari's Lives of the Artists.

Anne Boleyn. Born c. 1501 or 1507, died 19 May, 1536. Second Wife of King Henry VIII, Queen Consort of England (1533 – 1536), Martyr, Executed on False Charges.

Jane Seymour. Born c. 1508, died 24 October, 1537. Third Wife of King Henry VIII, Queen Consort of England (1536 – 1537), Died of Postnatal Complications.

Levina Teerlinc. Born in the 1510s, died 23 June, 1576. Flemish Renaissance Miniaturist who Served as a Painter to the English Court of Henry VIII, Edward VI, Mary I and Elizabeth I.

Catherine Parr (Kateryn Parr). Born c. August, 1512, died 5 September, 1548. Sixth Wife of King Henry VIII, Queen Consort of England and Ireland (1543 – 1547), First English Woman to Publish an Original Work Under Her Own Name, Widowed, Remarried, Died in Childbirth.

Anne of Cleves (Anna von Kleve). Born 28 June or 22 September, 1515, died 16 July, 1557. Fourth Wife of King Henry VIII, Queen Consort of England (6 January 1540 – 12 July 1540), Marriage Annulled, Outlived All Other Wives.

Mary I of England (Mary Tudor). Born 18 February, 1516, died 17 November, 1558. First Undisputed Regnant Queen of England and Ireland (1553 – 1558), Daughter of Henry VIII and Catherine of Aragon.

Mayken Verhulst (a.k.a. Marie Bessemers). Born 1518, died 1596 or 1599. 16th-Century Flemish Miniature, Tempera and Watercolor Painter and Print Publisher, Actively Engaged in the Workshop of Her Husband, Posthumously Publishing His Works. While Recognized as an Exceptionally Skilled Artist, Little is Known About Her Works or Life as There are Few Surviving Sources.

Catherine Howard (Katheryn Howard). Born c. 1523, died 13 February, 1542. Fifth Wife of King Henry VIII, Queen Consort of England (1540 – 1541), Stripped of Title, Beheaded for ‘Treason’.

Sister Plautilla Nelli (Pulisena Margherita Nelli). Born 1524, died 1588. Self-Taught Nun-Artist, the First Ever Known Female Renaissance Painter of Florence, and the Only Renaissance Woman Known to Have Painted the Last Supper.

Caterina van Hemessen (Catharina van Hemessen). Born 1528, died after 1565. Flemish Renaissance Painter, the Earliest Female Flemish Painter for Whom There is Verifiable Extant Work, Possibly Created the First Self-Portrait of an Artist (of Either Gender) Depicted Seated at an Easel (1548).

Sofonisba Anguissola (a.k.a Sophonisba Angussola or Sophonisba Anguisciola). Born c. 1532, died 16 November, 1625. Italian Renaissance Painter, Born to a Relatively Poor Noble Family, Got a Well-Rounded Education That Included the Fine Arts; Her Apprenticeship With Local Painters Set a Precedent for Women to be Accepted as Students of Art.

Elizabeth I of England (Elizabeth Tudor, the “Virgin Queen”). Born 7 September, 1533, died 24 March, 1603. Regnant Queen of England and Ireland (1558 – 1603), Last Monarch of the House of Tudor, Daughter of Henry VIII and Anne Boleyn.

Lucia Anguissola. Born 1536 or 1538, died c. 1565 – 1568. Italian Mannerist Painter of the Late Renaissance, Younger Sister of Sofonisba, Who She Likely Trained With.

Lady Jane Grey (Lady Jane Dudley (married name)). Born ~1537, died 12 February, 1554. Queen of England for ~9 days (~10 July, 1553 – 19 July, 1553) (disputed), First Cousin Once Removed of Mary I and Elizabeth I.

Mary, Queen of Scots (Mary Stuart). Born 8 December, 1542, died 8 February, 1587. Queen of Scotland (1542 – 1567), Forced Abdication, Imprisonment, Execution.

Diana Scultori (a.k.a Diana Mantuana & Diana Ghisi). Born 1547, died 5 April, 1612. Italian Engraver From Mantua, Italy; One of the Earliest Known Women Printmakers, Making Mostly Reproductive Engravings of Well-Known Paintings/Drawings and Ancient Roman Sculptures.

Lavinia Fontana. Born 24 August, 1552, died 11 August, 1614. Italian Mannerist Painter, Active in Bologna and Rome, Best Known for Her Successful Portraiture, but Also Worked in the Genres of Mythology and Religious Painting, Regarded as the First Female Career Artist in Western Europe.

Barbara Longhi. Born 21 September, 1552, died 23 December, 1638. Italian Painter, Much Admired in Her Lifetime as a Portraitist, Though Most of Her Portraits are Now Lost or Unattributed.

Marietta Robusti. Born 1560, died 1590. Highly Skilled Venetian Painter of the Renaissance Period, the Daughter of Tintoretto (Jacobo Robusti), Sometimes Referred to as Tintoretta.

Elizabeth Báthory (Báthori Erzsébet). Born 7 August, 1560, died 21 August, 1614. Hungarian Countess, Subject of Folklore, Alleged Serial Killer.

Esther Inglis. Born 1571, died 1624. Skilled Artisan and Miniaturist Who Possessed Several Skills in Areas Such as Calligraphy, Writing, and Embroidering; Over the Course of Her Life, She Composed Around Sixty Miniature Books That Display Her Calligraphic Skill With Paintings, Portraits, and Embroidered Covers.

Galizia (Fede Galizia). Born c. 1578, died c. 1630. Italian Painter of Still-Lifes, Portraits, and Religious Pictures, Especially Noted as a Painter of Still-Lifes of Fruit, a Genre in Which She Was One of the Earliest Practitioners in European Art.

Izumo no Okuni (出雲阿国). Born c. 1578, died c. 1613. Actress, Shrine Maiden, Creator of Kabuki Theater (1603 – 1610), Recruited Lower-Class Women For Her Troupe, Primarily Prostitutes.

Clara Peeters. Born c. 1580s/90s, death date unknown. Flemish Still-Life Painter From Antwerp Who Worked in Both the Spanish Netherlands and Dutch Republic. Was the Best-Known Female Flemish Artist of This Era and One of the Few Women Artists Working Professionally in 17th-Century Europe, Despite Restrictions on Women's Access to Artistic Training and Membership in Guilds.

Artemisia Gentileschi (Artemisia Lomi). Born 8 July, 1593, died c. 1656. Italian Baroque Painter, Considered Among the Most Accomplished 17th-Century Artists, Making Professional Work by Age 15. In an Era When Women Had Few Chances to Pursue Artistic Training/Work as Professional Artists, She Was the First Woman to Become a Member of the Accademia di Arte del Disegno and Had an International Clientele. Much of Her Work Features Women From Myths, Allegories, and the Bible, Including Victims, Suicides, and Warriors.

Magdalena van de Passe. Born 1600, died 1638. Dutch Engraver, Member of the Van de Passe Family of Artists From Cologne, Active in the Northern Netherlands. Specialized in Landscapes and Portraits, and Trained the Polymath Anna Maria van Schurman in Engraving, One of the Few Known Early Examples of the Training of One Woman Artist by Another.

Giovanna Garzoni. Born 1600, died 1670. Italian Painter of the Baroque Period; Began Her Career Painting Religious, Mythological, and Allegorical Subjects but Gained Fame For Her Botanical Subjects Painted in Tempera and Watercolor.

Michaelina Wautier (Michaelina Woutiers). Born 1604, died 1689. Baroque Painter From the Southern Netherlands (now Belgium), Noted For the Variety of Subjects and Genres She Worked in, Unusual For Female Artists of the Time, Who Were More Often Restricted to Smaller Paintings, Generally Portraits or Still-Lifes.

Judith Leyster (Judith Jans Leyster (also Leijster)). Born in July, 1609, died February 10, 1660. Dutch Golden Age Painter of Genre Works, Portraits, and Still-Lifes. Her Work Was Highly Regarded by Her Contemporaries, but Largely Forgotten After Her Death. Her Entire Oeuvre Came to be Attributed to Frans Hals or to Her Husband, Jan Miense Molenaer. In 1893, She Was Rediscovered and Scholars Began to Attribute Her Works Correctly.

Louise Moillon. Born 1610, died 1696. French Still-Life Painter in the Baroque Era, Became Known as One of the Best Still-Life Painters of Her Time, Her Work Purchased by King Charles I of England, as Well as French Nobility.

Catharina Peeters. Born 1615, died 1676. Flemish Baroque Painter, Noted For Painting Seascapes.

Katharina Pepijn (Catharina Pepijn). Born in February, 1619, died 12 November, 1688. Flemish Painter Who Was Known For Her History Paintings and Portraits.

Josefa de Óbidos (Josefa de Ayala Figueira). Born c. ��January, 1630, died 22 July, 1684. Spanish-Born Portuguese Painter. All of Her Work Was Executed in Portugal, Her Father's Native Country, Where She Lived From the Age of Four. Approximately 150 Works of Art Have Been Attributed to Her, Making Her One of the Most Prolific Baroque Artists in Portugal.

Maria van Oosterwijck (Maria van Oosterwyck). Born 20/27 August, 1630, died 1693. Dutch Golden Age Painter, Specializing in Richly-Detailed Flower Paintings and Other Still-Lifes. Despite the Fact That Her Paintings Were Highly Sought Out by Collectors (Including Royalty), She Was Denied Membership in the Painters' Guild Because Women Weren’t Allowed to Join. Stayed Single Throughout Her Life, but Raised Her Orphaned Nephew.

Johanna Vergouwen (Jeanne Vergouwen, Joanna Vergouwen). Born 1630, died 11 March, 1714. Flemish Baroque Painter, Copyist, and Art Dealer.

Mary Beale (née Cradock). Born in late March, 1633, died 8 October, 1699. English Portrait Painter and Writer, Part of a Small Band of Female Professional Artists Working in London. Her Manuscript Observations (1663), on the Materials and Techniques Employed "in Her Painting of Apricots", Though Not Printed, is the Earliest Known Instructional Text in English Written by a Female Painter.

Elisabetta Sirani. Born 8 January, 1638, died 28 August, 1665. Italian Baroque Painter and Printmaker Who Died in Unexplained Circumstances at the Age of 27. She Was One of the First Women Artists in Early Modern Bologna, and Established an Academy for Other Women Artists.

Maria Theresia van Thielen. Born 7 March, 1640, died 11 February, 1706. Flemish Baroque Painter, Known for Several Flower Pieces and Outdoor Still-Lifes Painted in the Style of Her Father, Jan Philip van Thielen.

Anna Maria van Thielen. Born 1641, death date unknown. Flemish Baroque Painter and Nun, Younger Sister of Maria Theresia, Older Sister of Fransisca Catharina.

Maria Borghese (Maria Virginia Teresa Borghese). Born 1642, died 1718. Italian Baroque Artist, Daughter of Art Collector Olimpia Aldobrandini.

Francisca Catharina van Thielen. Born 1645, death date unknown. Flemish Baroque Painter and Nun, Younger Sister of Maria Theresia and Anna Maria.

Maria Sibylla Merian. Born 2 April, 1647, died 13 January, 1717. German Entomologist, Naturalist and Scientific Illustrator, One of the Earliest European Naturalists to Document Observations About Insects Directly.

Élisabeth Sophie Chéron. Born 3 October, 1648, died 3 September, 1711. Remembered Today Primarily as a French Painter, but She Was a Renaissance Woman, Acclaimed in Her Lifetime as a Gifted Poet, Musician, Artist, and Academician.

Luisa Roldán (Luisa Ignacia Roldán, a.k.a La Roldana). Born 8 September, 1652, died 10 January, 1706. Spanish Sculptor of the Baroque Era, the Earliest Woman Sculptor Documented in Spain. Recognized in the Hispanic Society Museum For Being "One of the Few Women Artists to Have Maintained a Studio Outside the Convents in Golden Age Spain".

Rachel Ruysch. Born 3 June, 1664, died 12 October, 1750. Dutch Still-Life Painter From the Northern Netherlands. She Specialized in Flowers, Inventing Her Own Style and Achieving International Fame in Her Lifetime. Due to a Long, Successful Career That Spanned Over Six Decades, She Became the Best-Documented Woman Painter of the Dutch Golden Age.

Anne, Queen of Great Britain. Born 6 February, 1665, died 1 August, 1714. Queen of England, Scotland, and Ireland (1702 – 1707), First Queen of Great Britain and Ireland (1707 – 1714).

Isabel de Cisneros (Isabel de Santiago). Born 1666, died c. 1714. Criollo Colonial Painter Born in the Colony of Quito (Ecuador), Specialized in Oil Paintings of the Childhood of the Virgin and of the Baby Jesus, Adorned With Flowers and Animals.

Rosalba Carriera. Born 12 January, 1673, died 15 April, 1757. Venetian Rococo Painter; In Her Younger Years She Specialized in Portrait Miniatures, Would Later Become Known For Her Pastel Portraits, Helping Popularize the Medium in 18th-Century Europe. She is Remembered as One of the Most Successful Women Artists of Any Era.

Giulia Lama (Giulia Elisabetta Lama). Born 1 October, 1681, died 7/8 October, 1747. Italian Painter, Active in Venice. Her Dark, Tense Style Contrasted With the Dominant Pastel Colors of the Late Baroque Era. She Was One of the First Female Artists to Study the Male Figure Nude.

Anna Dorothea Therbusch (born Anna Dorothea Lisiewski (Polish: Anna Dorota Lisiewska)). Born 23 July, 1721, died 9 November, 1782. Prominent Rococo Painter Born in the Kingdom of Prussia (Modern-Day Poland). About 200 of Her Works Survive, and She Painted at Least Eighty-Five Verified Portraits.

Catherine the Great (Catherine II, Екатерина Алексеевна (Yekaterina Alekseyevna), born Princess Sophie Augusta Frederica von Anhalt-Zerbst). Born 2 May, 1729, died 17 November, 1796. Reigning Empress of Russia (1762 – 1796), Came to Power After Overthrowing Her Husband, Peter III. Under Her Long Reign, Russia Experienced a Renaissance of Culture and Sciences.

Ulrika Pasch (Ulrika "Ulla" Fredrica Pasch). Born 10 July, 1735, died 2 April, 1796. Swedish Rococo Painter and Miniaturist, and a Member of the Royal Swedish Academy of Arts.

Angelica Kauffman (Maria Anna Angelika Kauffmann). Born 30 October, 1741, died 5 November, 1807. Swiss Neoclassical Painter Who Had a Successful Career in London and Rome. Remembered Primarily as a History Painter, She Was a Skilled Portraitist, Landscape and Decoration Painter. She Was, Along With Mary Moser, One of Two Female Painters Among the Founding Members of the Royal Academy in London in 1768.

Mary Moser. Born 27 October, 1744, died 2 May, 1819. English Painter and One of the Most Celebrated Female Artists of 18th-Century Britain. One of Only Two Female Founding Members of the Royal Academy in 1768 (Along With Angelica Kauffman), She Painted Portraits But is Particularly Noted For Her Depictions of Flowers.

Anne Vallayer-Coster. Born 21 December, 1744, died 28 February, 1818. Major 18th-Century French Painter, Best Known For Still-Lifes. She Achieved Fame and Recognition Very Early in Her Career, Being Admitted to the Académie Royale de Peinture et de Sculpture in 1770, at the Age of Twenty-Six. Her Life Was Determinedly Private, Dignified and Hard-Working.

Adélaïde Labille-Guiard (née Labille/a.k.a Adélaïde Labille-Guiard des Vertus). Born 11 April, 1749, died 24 April, 1803. French Miniaturist and Portrait Painter, Was an Advocate for Women to Receive the Same Opportunities as Men to Become Great Painters. She Was One of the First Women to Become a Member of the Royal Academy, and Was the First Female Artist to Receive Permission to Set Up a Studio for Her Students at the Louvre.

Marianne Mozart (Maria Anna Walburga Ignatia Mozart). Born 30 July, 1751, died 29 October, 1829. Musician (c. 1759 – 1769), Music Teacher (1772 – 1829), Sister of Wolfgang Amadeus Mozart.

Élisabeth Vigée Le Brun (Élisabeth Louise Vigée Le Brun, born Élisabeth Louise Vigée, a.k.a. Louise Élisabeth Vigée Le Brun, Madame Le Brun). Born 16 April, 1755, died 30 March, 1842. French Painter Who Mostly Specialized in Portrait Painting, in the Late 18th/Early 19th Centuries, Made a Name For Herself in Ancien Régime Society by Serving as the Portrait Painter to Marie Antoinette, Enjoyed the Patronage of European Aristocrats, Actors, and Writers, and Was Elected to Art Academies in Ten Cities.

Marie Antoinette (Maria Antonia). Born 2 November, 1755, died 16 October, 1793. Last Queen of France (1774 – 1792), Bad Reputation, Executed by Guillotine.

Maria Cosway (Maria Luisa Caterina Cecilia Cosway (née Hadfield)). Born 11 June, 1760, died 5 January, 1838. Italian-English Painter, Musician, and Educator, Worked in England, France, and Later Italy, Cultivating a Large Circle of Friends and Clients. Founded a Girls' School in Paris (Dir. 1803 – 1809). Soon After it Closed, She Founded a Girls' College and School in Lodi, Northern Italy, Which She Directed Until Her Death.

Marguerite Gérard. Born 28 January, 1761, died 18 May, 1837. French Painter and Printmaker Working in the Rococo Style; More Than 300 Genre Paintings, 80 Portraits, and Several Miniatures Have Been Documented to Her.

Marie-Gabrielle Capet. Born 6 September, 1761, died 1 November, 1818. French Neoclassical Painter, Pupil of the French Painter Adélaïde Labille-Guiard in Paris. Excelled as a Portrait Painter; Her Works Include Oil Paintings, Watercolors, and Miniatures.

Anna Rajecka (a.k.a Madame Gault de Saint-Germain). Born c. 1762, died 1832. Polish Portrait Painter and Pastellist, Raised as a Protégée of King Stanisław August Poniatowski of Poland; In 1783, She Was Enrolled at His Expense at the Art School for Women at the Louvre in Paris. Chose to Stay in Paris After Marrying Miniaturist Pierre-Marie Gault de Saint-Germain in 1788. Became the First Polish Woman to Have Her Work Represented at the Salon in 1791.

Marie-Guillemine Benoist (born Marie-Guillemine Laville-Leroux), Born December 18, 1768, died October 8, 1826. French Neoclassical, Historical, and Genre Painter, Student of Élisabeth Vigée Le Brun.

Adèle Romany (born Jeanne Marie Mercier, a.k.a. Adèle Romanée, Adèle de Romance). Born 7 December, 1769, died 6 June, 1846. French Painter Known for Miniatures and Portraits, Especially Those of People Involved in Performing Arts.

Marie-Denise Villers (Marie-Denise "Nisa" Lemoine). Born 1774, died 19 August, 1821. French Painter Who Specialized in Portraits. In 1794, She Married an Architecture Student, Michel-Jean-Maximilien Villers. Her Husband Supported Her Art, During a Time When Many Women Were Forced to Give Up Professional Art Work After Marriage.

Constance Mayer (Marie-Françoise Constance Mayer La Martinière). Born 9 March, 1775, died 26 May, 1821. French Painter of Portraits, Allegorical Subjects, Miniatures and Genre Works. She Had "a Brilliant But Bitter Career."

Jane Austen. Born 16 December, 1775, died 18 July, 1817. English Novelist, Author of Sense and Sensibility (1811), Pride and Prejudice (1813), etc, Known For Her Subtle Criticism of the Nobility of the Time.

Marie Ellenrieder. Born 20 March, 1791, died 5 June, 1863. German Painter Known For Her Portraits and Religious Paintings, Considered to be the Most Important German Woman Artist of Her Time.

Louise-Adéone Drölling (Madame Joubert). Born 29 May, 1797, died 20 March, 1834. French Painter and Draftswoman. Both Her Father and Older Brother Were Celebrated Artists in Their Day; She Herself Was Not a Very Prolific Painter.

Mary Shelley (Mary Wollstonecraft Shelley, née Godwin). Born 30 August, 1797, died 1 February 1851. English Novelist, Author of Frankenstein (1818), Which is Considered One of the Earliest Examples of Science Fiction.

Elizabeth Barrett Browning. Born 6 March, 1806, died 29 June, 1861. Influential Poet, Author of How Do I Love Thee (Sonnet 43, 1845) and Aurora Leigh (1856).

Ada Lovelace (Augusta Ada King, née Byron, Countess of Lovelace). Born 10 December, 1815, died 27 November, 1852. Mathematician, Writer, First to Think of Other Uses for Computing Besides Mathematical Calculations.

Victoria I (Alexandrina Victoria). Born 24 May, 1819, died 22 January, 1901. Queen of England (1837 – 1901), Longest Reign of All Predecessors.

Florence Nightingale. Born May 12, 1820, died August 13, 1910. English Nurse, Pioneer of Modern Nursing, Statistics, and Social Reformation (~1853 – ?).

Rosa Bonheur. Born 16 March, 1822, died 25 May, 1899. French Artist Known Best as a Painter of Animals (Animalière). She Also Made Sculptures in a Realist Style. Was Widely Considered to be the Most Famous Female Painter of the Nineteenth Century. It’s Been Claimed That She Was Openly Lesbian, as She Lived With Her Partner Nathalie Micas For Over 40 Years Until Micas's Death.

Barbara Bodichon. Born 8 April, 1827, died 11 June, 1891. English Educationalist, Artist, and a Leading Mid-19th-Century Feminist and Women's Rights Activist. She Published Her Influential Brief Summary of the Laws of England concerning Women in 1854 and the English Woman's Journal in 1858, and Co-Founded Girton College, Cambridge (1869).

Emily Dickinson (Emily Elizabeth Dickinson). Born December 10, 1830, died May 15, 1886. American Poet, Little-Known During Her Lifetime, Most Works Published Posthumously and Heavily Edited, Later Regarded as One of the Most Important Figures In American Poetry.

Louisa May Alcott. Born November 29, 1832, died March 6, 1888. American Novelist, Short Story Writer, Poet, Author of Little Women (1868), Abolitionist, Feminist, Active in Temperance and Women’s Suffrage Movements.

Elizabeth Jane Gardner (Elizabeth Jane Gardner Bouguereau (married name)). Born October 4, 1837, died January 28, 1922. American Academic and Salon Painter, Born in Exeter, New Hampshire. She Was the First American Woman to Exhibit and Win a Gold Medal at the Paris Salon. Her Works Were Accepted to the Salon More Than Any Other Woman Painter in History, and More Than All But a Few of the Men.

Marie Bracquemond (Marie Anne Caroline Quivoron). Born 1 December, 1840, died 17 January, 1916. French Impressionist Artist, One of Four Notable Women in the Impressionist Movement, Along With Mary Cassatt, Berthe Morisot, and Eva Gonzalès. Studied Drawing as a Child and Began Showing Her Work at the Paris Salon When She Was Still an Adolescent. Never Underwent Formal Art Training, But Received Limited Instruction From Jean-Auguste-Dominique Ingres and Advice From Paul Gauguin, Which Contributed to Her Stylistic Approach.

Berthe Morisot (Berthe Marie Pauline Morisot). Born January 14, 1841, died March 2, 1895. French Painter and a Member of the Circle of Painters in Paris Who Became Known as the Impressionists. Described by Art Critic Gustave Geffroy in 1894 as One of "Les Trois Grandes Dames" (The Three Great Ladies) of Impressionism Alongside Marie Bracquemond and Mary Cassatt.

Emma Sandys (born Mary Ann Emma Sands). Born 25 September, 1841, died 21 November, 1877. British Pre-Raphaelite Painter. Her Works Were Mainly Portraits in Both Oil and Chalk of Children and of Young Women, Often in Period Clothing, Against Backgrounds of Brightly Coloured Flowers.

Maria Zambaco (Marie Terpsithea Cassavetti (Greek: Μαρία Τερψιθέα Κασσαβέτη)). Born 29 April, 1843, died 14 July, 1914. British Sculptor of Greek Descent, Was Also an Artist's Model, Favored by the Pre-Raphaelites.

Kitty Kielland (Kitty Lange Kielland). Born 8 October, 1843, died 1 October, 1914. Norwegian Landscape Painter.

Marie Stillman (Marie Spartali (Greek: Μαρία Σπαρτάλη)). Born 10 March, 1844, died 6 March, 1927. British Member of the Second Generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, She Had One of the Longest-Running Careers, Spanning Sixty Years and Producing Over One Hundred and Fifty Works. Though Her Work With the Brotherhood Began as a Favorite Model, She Soon Trained and Became a Respected Painter.

Mary Cassatt (Mary Stevenson Cassatt). Born May 22, 1844, died June 14, 1926. American Painter and Printmaker, Born in Pennsylvania and Lived Much of her Adult Life in France, Where She Befriended Edgar Degas and Exhibited With the Impressionists. Often Created Images of the Social and Private Lives of Women, With Particular Emphasis on the Intimate Bonds Between Mothers and Children. Described by Gustave Geffroy as One of "Les Trois Grandes Dames" (The Three Great Ladies) of Impressionism Alongside Marie Bracquemond and Berthe Morisot.

Elizabeth Thompson (Elizabeth Southerden Thompson, later known as Lady Butler). Born 3 November, 1846, died 2 October, 1933. British Painter Who Specialized in Painting Scenes From British Military Campaigns and Battles, Including the Crimean War and the Napoleonic Wars.

Lilla Cabot Perry (born Lydia Cabot). Born January 13, 1848, died February 28, 1933. American Artist Who Worked in the American Impressionist Style, Rendering Portraits and Landscapes in the Freeform Manner of Her Mentor, Claude Monet. She Was an Early Advocate of the French Impressionist Style and Contributed to its Reception in the United States. Her Early Work Was Shaped by Her Exposure to the Boston School of Artists and Her Travels in Europe and Japan.

Anna Boch (Anna-Rosalie Boch). Born 10 February, 1848, died 25 February, 1936. Belgian Painter, Art Collector, and the Only Female Member of the Artistic Group, Les XX. Part of the Neo-Impressionist Movement.

Anna Bilińska (a.k.a. Anna Bilińska-Bohdanowicz). Born 8 December, 1854, died 8 April, 1893. Polish Painter, Known For Her Portraits. A Representative of Realism, She Spent Most of Her Life in Paris, and is Considered the "First Internationally Known Polish Woman Artist."

Cecilia Beaux (Eliza Cecilia Beaux). Born May 1, 1855, died September 17, 1942. American Artist and the First Woman to Teach Art at the Pennsylvania Academy of the Fine Arts. Known For Her Elegant and Sensitive Portraits of Friends, Relatives, and Gilded Age Patrons, She Painted Many Famous Subjects Including First Lady Edith Roosevelt, Admiral Sir David Beatty and Georges Clemenceau.

Evelyn De Morgan (Mary Evelyn Pickering). Born 30 August, 1855, died 2 May, 1919. English Painter Associated Early in Her Career With the Later Phase of the Pre-Raphaelite Movement, and Working in a Range of Styles Including Aestheticism and Symbolism. Her Paintings Rely on a Range of Metaphors to Express Spiritualist and Feminist Content; Her Later Works Also Dealt With Themes of War From a Pacifist Perspective.

Lucy Bacon (Lucy Angeline Bacon). Born July 30, 1857, died October 17, 1932. Californian Artist Known for Her California Impressionist Oil Paintings of Florals, Landscapes and Still Lifes. Studied in Paris Under the Impressionist Camille Pissarro; The Only Known Californian Artist to Have Studied Under Any of the Great French Impressionists.

Laura Muntz Lyall (Laura Adeline Muntz). Born June 18, 1860, died December 9, 1930. Canadian Impressionist Painter and Art Teacher, Known for Her Sympathetic Portrayal of Women and Children.

Olga Boznańska. Born 15 April, 1865, died 26 October, 1940. Polish Painter and Art Teacher of the Turn of the 20th Century. She Was a Notable Painter in Poland and Europe, and Was Stylistically Associated With French Impressionism, Though She Rejected This Label.

Suzanne Valadon (Marie-Clémentine Valadon). Born 23 September, 1865, died 7 April, 1938. French Painter Who, in 1894, Became the First Woman Painter Admitted to the Société Nationale des Beaux-Arts. Shocked the Artistic World by Painting Male Nudes as well as Less Idealized Images of Women (in Comparison to Those of Her Male Counterparts).

Mademoiselle Abomah (Ella Williams). Born October, 1865, death date unknown (after 1920s). African-American Performer, Giantess Who Grew to Eight Feet Tall.

Anna Connelly. Born September 23, 1868, died ~1969. Inventor of the First Fire Escape (1887), One of the First Women to Patent an Invention Without Help From a Man.

Emma Goldman. Born June 27, 1869, died May 14, 1940. Anarchist Revolutionary, Political Activist, Writer, Played a Pivotal Role in Development of Anarchist Philosophy in North America and Europe In the First Half of the 20th Century.

Ella Ewing, “The Missouri Giantess” (Ella Katherine Ewing). Born March 9, 1872, died January 10, 1913. Giantess, Performer, Considered the World’s Tallest Woman of Her Era.

Helen Keller (Helen Adams Keller). Born June 27, 1880, died June 1, 1968. Blind/Deaf, Disability Rights/etc. Activist (1909 – ?), Author (1903 – ?).

Agatha Christie (Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller)). Born 15 September, 1890, died 12 January, 1976. English Writer, Known For Her 66 Detective Novels and 14 Short Story Collections. Dubbed “The Queen of Crime”.

Amelia Earhart (Amelia Mary Earhart). Born July 24, 1897, died January 5, 1939 (in absentia). First Solo Female Pilot (1932), Women's Rights Activist, Lost at Sea (1937).

Ebony and Ivory (Margaret Patrick and Ruth Eisenburg). Born 1902 (Eisenburg)/1913 (Patrick), died 1996 (Eisenburg)/1994 (Patrick). Elderly Interracial Piano Duo (1983 – 1988), Disabled on Opposite Sides.

Virginia Hall (Virginia Hall Goillot, Codenamed Marie and Diane, Known as “Artemis” and ”The Limping Lady” by the Germans). Born April 6, 1906, died July 8, 1982. WWII-Era Intelligence Agent (1940 – 1945), Considered “The Most Dangerous of All Allied Spies” by the Gestapo, Later Joined the CIA (1947 – 1966), Had Prosthetic Leg.

Li Zhen (李贞) (Li Danmeizi (旦妹子)). Born February, 1908, died March 11, 1990. Revolutionary (1927 – ?), First Female General of the People’s Liberation Army (1955 – ?).

Mother Teresa (Mary Teresa Bojaxhiu (born Anjezë Gonxhe Bojaxhiu)). Born 26 August, 1910, died 5 September, 1997. Albanian-Indian Catholic Nun, Founder of the Missionaries of Charity.

Rosa Parks (Rosa Louise McCauley Parks). Born February 4, 1913, died October 24, 2005. Civil Rights Activist (1943 – ?), Played a Pivotal Role in the Montgomery Bus Boycott (1955), Became Symbol of Resistance to Racial Segregation.

Judy Garland (Frances Ethel Gumm). Born June 10, 1922, died June 22, 1969. Award-Winning Singer/Actress (1924 – 1969), Starred in The Wizard of Oz (1939), A Star Is Born (1954), etc.

Stephanie Kwolek (Stephanie Louise Kwolek). Born July 31, 1923, died June 18, 2014. Award-Winning Chemist, Inventor of Kevlar (1965).

Marilyn Monroe (Norma Jeane Mortenson). Born June 1, 1926, died August 4, 1962. Award-Winning Actress (1945 – 1961), Pop/Sex Icon of Hollywood’s Golden Age, Starred in Gentlemen Prefer Blondes (1953), Some Like It Hot (1959), etc.

Ursula K. Le Guin (Ursula Kroeber Le Guin). Born October 21, 1929, died January 22, 2018. American Novelist, Best Known For Her Works of Speculative Fiction, Author of the Earthsea Series (1964 – 2018), The Left Hand of Darkness (1969), The Dispossessed (1974), etc.

Aretha Franklin (Aretha Louise Franklin). Born March 25, 1942, died August 16, 2018. Award-Winning Gospel/Rock/RnB Singer, Songwriter, Pianist, Civil Rights Activist, Record Producer (1954 – 2017).

Liza Minnelli (Liza May Minelli). Born March 12, 1946, Still Living. Award-Winning Actress, Singer, Dancer, and Choreographer (1961 – present), Daughter of Judy Garland.

Afeni Shakur (Afeni Shakur Davis, Born Alice Faye Williams). Born January 10, 1947, died May 2, 2016. American Political Activist, Member of the Black Panther Party (1968 – 1971), Mother of Tupac Shakur.

Assata Shakur (Assata Olugbala Shakur (Born JoAnne Deborah Byron), A.k.a. Joanne Chesimard). Born July 16, 1947, Still Living. American Political Activist, Convicted of Murder, Former Member of the Black Liberation Army, One of the FBI's "Most Wanted Terrorists", Friend of Afeni Shakur & Mutulu Shakur, Often Described as Their Son Tupac Shakur's "Godmother" or "Step-Aunt", Currently a Fugitive, in Asylum in Cuba.

(P.S. if I got anything wrong, feel free to correct me.)

29 notes · View notes

honoure-1 · 8 months ago

Text

oh they're so cute. i'll just ignore how stupid the rest of this issue is Tales of the Legion #323

#losh #querl dox #brainiac 5 #dawnstar #and also how ripped brainy is

44 notes · View notes

eddieintheocean · 10 months ago

Text

hey! gonna advertise the marine biology enjoyers discord server abit!! considering this is gonna be its 3rd year of existence!

things the server has to offer:

an obscene amount of fish related channels (this is not even the full list)

other non fish related infodumping places!

group vc sessions for writing/studying!

(and also the most important thing <3 me <3)

a couple important things!

due to past issues the server has a minimum age of 14! obviously discord and tumblr is minimum 13, but there are a lot of older people in this server so please keep that in mind. this server is also quite system heavy! systems are very welcome here and we have a system specific channel so please let me or a mod know on joining if you would like access to that!

feel free to check us out and have fun talking about fishy things!

#marine biology enjoyers #marine biology discord server #eddie in the ocean

39 notes · View notes

thequiver · 3 months ago

Text

Who is.... Ralph Dibny | The Elongated Man? - A Reading Guide

Ralph Dibny is a powered superhero from DC Comics first introduced in 1960. Ralph gains his ability to stretch his body to comic proportions as a result of his chronic ingestion of what is basically an essential oil. Ralph's hero work is largely based out of Opal City (which is kind of a stand-in for Baltimore, MD). Ralph is best known for his membership with the Justice League of America, Justice League Europe, and the Croatoans. Ralph is a devoted husband to his wife Sue, has his own exhibit at the Flash Museum, and is one of, if not the best detective in detective comics!

A selection of my favorite Ralph Dibny comics can be found in chronological order under the cut If you're interested in a full list of Ralph's appearances, please dm me and I'm happy to send you scans of a of my handwritten list!

The Flash (1959) #112, 115, 119, 124, 130, 134, 138 Detective Comics (1937) #328-345 Justice League of America (1960) #51 The Flash (1959) #206, 208, 210, 212 Justice League of America (1960) #100, 102, 105-106, 109-114, 116-121, 128-129, 131-134 Detective Comics (1937) #465-466, 468 Justice League of America (1960) #142-143 The Flash (1959) #252-253 Justice League of America (1960) #159-160, 210-212 (flashbacks), 161-168, 179, 181-183, 186-188 Detective Comics (1937) #500D The Flash (1959) #296 Justice League of America (1960) #189-191 The Brave and the Bold (1955) #177 Justice League of America (1960) #197-200 The Flash (1959) #323-325, 327-329 Justice League of America (1960) #226-227, Annual 2 (1984), 233-239 The Flash (1959) #341, 349 DC Retroactive: JLA - The 80's (2011) #1 <- chronologically this is where the story goes even if the issue is from 2011 Secret Origins (1986) #30

From here we really enter into Ralph's Justice League Europe era, so I'm separating the out a little bit

Justice League International (1987) #24 Justice League Europe (1989) #1-9 The Flash (1987) #35 Justice League Europe (1989) #10, 13-19, Annual 1, 20-21 The Flash (1987) #48-49 Justice League Europe (1989) #25-29 Justice League America (1989) #54 Justice League Europe (1989) #30 Justice League America (1989) #55 Justice League Europe (1989) # Annual 2, 31-33 Justice League America (1989) #58 Justice League Europe (1989) #34-35 Justice League Quarterly (1990) #6 Justice League America (1989) #60 Justice League Europe (1989) #36 Elongated Man (1992) #1-4 Justice League Europe (1989) #37-40 Green Lantern (1990) #25 (set during JLE #40) Justice League Europe (1989) #41-42, Annual 3, 43-503 Justice League Quarterly (1990) #9

Justice League International Take 2 through to Zero Hour

Justice League Task Force (1993) #1 Justice League International (1993) #51, Annual 4, 53-57 Justice League Task Force (1993) #10-12 Justice League America (1989) #89 Justice League Task Force (1993) #13 Justice League International (1993) #65 Justice League Task Force (1993) #14 Justice League International (1993) #66-67 Justice League America (1989) #92 Justice League Task Force (1993) #16 Justice League International (1993) #68 Zero Hour: Crisis in Time (1994) #1, 3

Post Zero Hour through to 52. This period of comics contains the highly controversial Identity Crisis, which centers around the death of Ralph's wife, Sue.

Starman (1994) #56, 61-63, 65, 67-68, 70-73, 75, 80 Doom Patrol (2001) #4-6 Formerly Known as the Justice League (2003) #1-6 Identity Crisis (2004) #1-7 52 (2006) #1-2, 4-5, 7-8, 11-13, 18, 21, 24-25, 27, 31-33, 39, 41-42, 52

After 52, Ralph comes back as a ghost for a few issues and later as a black lantern during Blackest Night but tbh I didn't enjoy those much at all so they're not included

#ralph dibny #elongated man #jla #justice league europe #justice league international #reading guide #reading list #comic reading guide #comic reading list #my reading guide #my reading list #dc comics #dc comics reading list #dc comics reading guide

13 notes · View notes

bratshaws · 8 months ago

Text

through the hourglass 380. brb x oc

a/n: SORRY HAD CONNECTION ISSUES (comments and reblogs are super welcome and encouraged!)

pairing: plus size!oc x rooster

warnings: just some suggestive stuff uwu

goodness gracious (pls read this one to know more what this fic is about!!)

chapter

/316/317/318/319/320/321/322/323/324/325/326/327/328/329/330/331/332/333/334/335/336/337/338/339/340/341/342/343/344/345/346/347/348/349/350/351/352/353/354/355/356/357/358/359/360/361/362/363/364/365/366

/367/368/369/370/371/372/373/374/375/376/377

(pls let me know if you want to be added to the taglist! )

taglist: @mirandastuckinthe80s @roosterschanelslut @wiipes @lcahwriter @novastories @gretagerwigsmuse @frenchtoastix @lizzie-rdj @fanboyluvr @atarmychick007 @comebacktoearthpls

@peachiicherries @mak-32 @lizziespidiepridie @roosterswifey @ollyoxenfrees @piceous21 @sqrlgrl22 @hofficoffi @lexhalstead3 @lorilane33 @legendarydreamersharkparty @luckyladycreator2

@emilybradshaw @louisahale @leobabbyyy @booklover2sblog @ktjmac @graciereads @bigpoppajes @taytaylala12

@caitsymichelle13 @becks-things @caatheeriinee07 @fanboyswhore9 @jesfreedark @katiemcrae @lilmonstrjedi @hobiismyhopeu @teacupsandtopgun @insominac23 @gh0stsgoodgirl @mygyn @chavivaelisheva @kmc1989 @enchantingharmonyalpaca @callsign-magnolia @mrsbradshaw01

@lyn-js

She could spend hours just looking at him with Nicole on his lap as the twins were checked on. She smiles, leaning on a hand with her eyes shining the longer she looked at him, Rooster was amazing and ever since he got the promotion…well,it looked like he was glowing even more if possible.

Watching him seated not so far from them, with a fussy Nicole who demanded attention was…really sweet. Beatrice’s lower lip slid into her mouth, the curl of anxiousness making it’s way into her stomach.

She knew that once he was promoted, things would change but…hell,she wanted him to be alright. She frowns, looking down at both Gavin and Aurora,who unlike their older sister, were chilling on the soft cushioned table as they waited for the doctor to return with the results.

“Gorgeous.” she hears him say, “You alright?”

Beatrice's gaze snapped up from her children to meet Rooster's concerned eyes. She offered him a small smile, though it didn't quite reach her eyes. "I'm okay," she replied, her voice tinged with uncertainty. "Just a little nervous, that's all."

Rooster reached over and took her hand in his, his touch warm and reassuring. "It's going to be okay," he murmured, “You’ll see.”

Beatrice nodded, feeling a surge of gratitude for Rooster's unwavering support. She squeezed his hand tightly, drawing strength from his touch as they waited for the doctor to return.

It felt like an eternity before the doctor finally reentered the examination room, a warm smile on her face. Beatrice's heart raced, in more ways than one.

The doctor took a seat across from them, her expression calm and composed as she began to speak. "I'm happy to inform you that the twins are healthy and developing as expected," she said, her words a balm to Beatrice's frayed nerves. "There's no cause for concern at this time."

Relief flooded through Beatrice as she processed the doctor's words, her eyes closing in relief, “Thank god.”

Rooster smiled back at her, his eyes shining with the same relief. "See, I told you everything would be fine," he murmured,kissing her forehead.

“Now,” the doctor begins, “Let’s see the separate exams so you can be even more relieved,alright? Since they are preemies, it’s always good to know more– albeit you two are doing a great job, they are amazing 3 months old babies.”

“Oh,okay, sure.” Bea says, holding Rooster’s hand as the doctor turned her eyes to the papers.

“Let’s start with Gavin,” she begins, smiling down at the little baby boy who was just staring around curiously, “He is…a big boy, as you noticed. Both of them are big, but Gavin is showing a huge difference from his sister.”

"Gavin is doing exceptionally well," she said, "He's hitting all his milestones and is in excellent health."

Beatrice let out a sigh of relief, her shoulders sagging with the weight of tension released. She looked over at Rooster, her eyes shining with gratitude. "That's wonderful news,"

Rooster squeezed her hand tightly, his own relief evident in his expression. "I told you everything would be fine," he said softly, his voice laced with affection.

As the doctor finished her assessment of Aurora, she looked up with a smile. "Aurora is also doing very well," she announced, her tone warm and reassuring. "She's a little smaller than her brother, but her development is right on track. And she’s much more active, but that’s completely normal, their personalities are already showing at such a young age."

With a sigh of relief, Beatrice felt a weight lift off her chest. She glanced down at Aurora, who was wiggling next to her brother, a smile spreading across her face. "That's such a relief to hear," she said softly, her voice filled with gratitude.

The doctor smiled warmly at their exchange, pleased to see the bond between parents and children. "It's clear that you both love and care for them deeply," she said, her tone gentle. "And that's the most important thing for their development."

"Thank you, doctor," Beatrice said sincerely, "For everything."

The doctor nodded, a warm smile on her face. "It's my pleasure," she replied, her tone warm and reassuring. "Just remember to schedule their next check-up in a few months, and don't hesitate to reach out if you have any concerns in the meantime."

"We will," Rooster promised,. "Thank you again."

With that, the doctor bid them farewell and left the examination room, leaving Beatrice and Rooster alone with their children once again. Beatrice let out a shaky breath, feeling the tension drain from her body as she relaxed against Rooster's side.

"See?" Rooster said with a grin, his eyes shining with relief. "Our little ones are healthy as can be."

Beatrice nodded, a smile spreading across her face. "Yes, thank god," she replied, "I don't know what came over me.”

“You were just nervous.”

‘I know, but…” she sighs, “...we are good parents.”

“Mhm.”

“We have three kids together.”

“Sure do.”

She frowns, “...I don’t know,I guess I’m too into my head.” she mutters, gently picking Gavin - Rooster picked Aurora as he put Nicole down, the little toddler stood by his feet with her eyes wide and mouth open - “I don’t know what came over me.”

As they gathered their belongings and prepared to leave the doctor's office, Beatrice couldn't shake the lingering sense of unease that had settled in her stomach. She watched as Rooster settled Aurora into her stroller, his movements gentle and loving as he tended to their children.

"You're not alone in feeling that way, Bea," Rooster said softly,kissing her forehead "We're both navigating this journey together, and it's only natural to have moments of doubt and uncertainty."

"I just want to do right by them," she admitted, her voice tinged with emotion.

Rooster reached over and squeezed her hand, his touch warm and comforting. "And you are," he said sincerely, his eyes meeting hers. "You're an incredible mother, Beatrice, and our children are lucky to have you."

Tears welled up in Beatrice's eyes at Rooster's words, her heart overflowing with love for him. "Thank you," she whispered, her voice choked with emotion. "I needed to hear that."

Rooster leaned in and pressed a tender kiss to her forehead, his lips lingering against her skin. "Anytime, gorgeous," he murmured, his voice soft and reassuring.

With a deep breath, Beatrice composed herself and wiped away her tears, determined to focus on the present moment. She smiled at Rooster, gratitude shining in her eyes as they prepared to leave the doctor's office and return home.

"Ready to head home?"]

Beatrice nodded, a smile spreading across her face. "Absolutely," she replied, her voice tinged with excitement. "I can't wait to cuddle up with our little ones and just relax."

Rooster grinned, his eyes shining with love. "Sounds like a plan," he said, taking her hand in his as they walked towards the parking lot. "Let's go home."

“Hrrm.”

“What?”

She turns her head to see her husband glaring at his phone, “Rooster,what happened?”

“...I got another fuckin’ message asking me to go to that stupid reunion.” he growls, “I’m going to ignore it.”

"Another one?" Beatrice asked, her brow furrowing with concern. "How many times have they asked you now?"

Rooster sighed, his frustration evident as he tossed his phone onto the coffee table. "Too many," he replied, his voice tinged with annoyance. "I've lost count at this point. But I'm not going, that's for sure."

"I don't blame you," she said, her voice quiet. "It's not like you owe them anything."

Rooster sighed again, running a hand through his hair in frustration. "I know," he muttered, "But it's just...annoying, you know? They keep pestering me, even though I've made it clear that I'm not interested."

Beatrice nodded in agreement, her heart aching for her husband. "I know it's frustrating," she said softly, "But try not to let it get to you. You have more important things to focus on."

“I know,gorgeous.” he mutters, then pats his lap so she’d settle on it, “I know it’s just…ugh,I don’t know, part of me wonders if I should…just go.”

Beatrice settled into Rooster's lap, her arms wrapping around his neck as she looked into his eyes with concern. "Do you really think you should?" she asked softly,uncertain in her tone. "I mean, if it's causing you this much stress, maybe it's not worth it."

Rooster sighed, leaning into Beatrice's embrace as he mulled over her words. "I don't know," he admitted, his voice tinged with uncertainty. "Part of me feels like I should just suck it up and go, you know? But another part of me just wants to forget about it and move on."

Beatrice nodded in understanding, her fingers gently tracing patterns on Rooster's back. "I get that," she murmured, her voice soothing. "But ultimately, the decision is yours to make. Just know that whatever you choose, I'll support you."

“Hm.”

“What are you thinking now?”

“Just…some of my old teachers will be there– you know, kinda like your reunion was….but,” she clicks his tongue, “I’m just– going to Virginia,now, it’d be a lot…and next week I’ll be deployed.” she could see the hesitation in his eyes, “...I don’t know,I kinda miss them.”

“Well…It's natural to feel nostalgic and want to reconnect with people from your past. But you also have to consider what's best for you right now."

Rooster leaned into Beatrice's touch, his eyes searching hers for reassurance. "Yeah, I know," he murmured, his voice tinged with uncertainty. "I just...don't want to regret not going, you know? But at the same time, I don't want to add more stress to an already busy schedule."

"It's a tough decision," she admitted, "But I know you'll make the right choice. And whatever you decide, I'll be right there beside you. Do you want me to go with you?"

“If I go? Fuck yeah I do.”

“...really?”

"Of course," Rooster replied with a small smile, his eyes softening as he looked at Beatrice. "Having you by my side would make it a lot easier."

Beatrice returned his smile,"I'll go with you," she said firmly, "Whatever you decide, I'll be there to support you."

Rooster's smile widened at Beatrice's words, a wave of gratitude washing over him. "Thank you, gorgeous," he murmured, leaning in to press a tender kiss to her lips. "You're the best thing that's ever happened to me."

Beatrice melted into the kiss, her heart fluttering in her chest as she wrapped her arms around Rooster's neck. They stayed like that for a moment, lost in each other's embrace, before pulling away with reluctant smiles.

"Okay," Rooster said, after a while. "I'll go to the reunion."

You sure?”

“....hrm…not really but,i feel like if i don’t I…I don’t know.”

Beatrice nodded, a sense of relief washing over her. "Well I'll be right there with you, every step of the way."

Rooster smiled gratefully at Beatrice, his heart overflowing with love for her. "Thank you," he said sincerely, "I don't know what I'd do without you."

They sat together in comfortable silence, the weight of Rooster's decision lifting from his shoulders. Beatrice sensed Rooster's inner turmoil and reached out to squeeze his hand reassuringly. "It's okay to be nervous," she said softly,. “But you’ll be okay"

Rooster smiled gratefully at Beatrice, a sense of warmth spreading through his chest. "Thank you," he murmured, his voice barely above a whisper. “I will.”

“When do we leave?”

Rooster smiled gratefully at Beatrice, a sense of warmth spreading through his chest. "Thank you," he murmured, his voice barely above a whisper. “I will.”

“When do we leave?”

“Uh…this Saturday, I think?”

Beatrice nodded, mentally preparing herself for the upcoming trip. "Alright,we'll make sure everything is ready by then."

“Hah…yeah…” god he hopes he wouldn’t regret it, “Me too.”

#im happy yall are still here #bradley rooster bradshaw #rooster bradshaw #bradley bradshaw x oc #top gun maverick #bradley bradshaw x reader #bradley bradshaw x female reader #bradley bradshaw x named reader #tgm oc #tgm fic #tgm fanfiction

22 notes · View notes